This painting began with red.

I didn’t plan a face. I didn’t plan anything. I was simply moving the paint with my hands, fully immersed in the moment, and suddenly a presence appeared ,almost like she revealed herself.

“Almost her” is about that in-between state: not fully defined, not fully understood. A woman emerging from emotion, from intensity, from raw energy. The red carries passion, tension, and a sense of vulnerability at the same time.

The work was created intuitively, without a fixed idea, allowing instinct to guide every movement. Because of that, it feels alive, unfinished in a way that invites the viewer to complete the story themselves.

This piece is not about perfection, but about feeling.